The Arakan period (also known as the Rakhine period) produced some of the earliest and most revered Buddha statues in Burmese art, with roots reaching back over a thousand years in the ancient Arakan kingdom of present-day Rakhine State. Arakan Buddha statues are known for their graceful, slender forms and serene expressions, most often cast in bronze. Our collection features antique statues from Myanmar.
Arakan Buddha statues are typically cast in bronze, and occasionally carved from wood or stone. Below are the materials most commonly found in statuary from this period:
The Arakan period (also called the Rakhine or Rakhaing period) refers to Buddhist art produced in the historic kingdom of Arakan, in what is now Rakhine State on Myanmar's western coast. Positioned along Indian Ocean trade routes, Arakan absorbed strong influences from Indian Buddhist art alongside its own Burmese traditions, producing a distinctive style that predates and later coexisted with the Bagan and Mon traditions elsewhere in Myanmar.
Arakan statues are recognized by their graceful, slender proportions, delicate facial features, and calm, contemplative expressions. Robes are rendered in flowing, naturalistic folds, and many statues carry fine floral or jewel motifs reflecting the region's trade links with India. Bronze examples often develop a deep, dark patina with age, a mark collectors look for when assessing authenticity.
As one of the oldest Buddhist art traditions in Burma, Arakan statues make a striking centerpiece for a range of settings:
Arakan is one of several historical periods represented in our collection, each with its own regional style and history:
The Arakan period (also called the Rakhine period) refers to Buddhist art produced in the historic Arakan kingdom, in present-day Rakhine State, Myanmar, shaped heavily by Indian Ocean trade contacts.
Graceful, slender proportions, delicate facial features, flowing robe folds, and a serene, contemplative expression, most often cast in bronze.
Bronze is most common, with wood and stone used less frequently.
Arakan statues show stronger Indian stylistic influence due to the region's coastal trade links, compared to the more homegrown aesthetics of Mon and Bagan statues from central Myanmar.