The Pyu period (3rd to 11th century) produced some of the oldest known Buddha statues in Burma, created by the Pyu civilization along the Irrawaddy River in Upper Burma. Pyu Buddha statues are typically cast in bronze with a distinctive silver-tin alloy, giving them a subtle, radiant finish. Our collection features antique statues from Myanmar.
Pyu Buddha statues are typically cast in bronze, using a distinctive high-silver, high-tin alloy unique to this period. Below is the material most associated with Pyu statuary:
The Pyu period spans roughly the 3rd to the 11th century, when the Pyu civilization, believed to have originated from Tibet, settled in Upper Burma along the Irrawaddy River and built city-states such as Sri Ksetra, Halin, and Beikthano. The Pyu were among the first in Burma to adopt Theravada Buddhism, and their statues rank among the oldest surviving Buddhist art in the country, predating the Bagan period by several centuries.
Pyu statues are recognized by the Buddha seated cross-legged in meditation, a solemn, neutral facial expression rather than the softer smile of later periods, and a simple robe draped over one or both shoulders. Symbolic details such as the urna (a dot between the brows) and ushnisha (a crown-like protrusion) mark the Buddha's spiritual attainment, and the bronze surface often carries a bright, silvery cast distinct from later Burmese statuary.
As one of the very earliest Buddhist art traditions in Burma, Pyu statues hold a special place in any collection:
Pyu is one of several historical periods represented in our collection, each with its own regional style and history:
It spans roughly the 3rd to the 11th century, when the Pyu civilization built early city-states in Upper Burma and produced some of the oldest Buddhist art in the country.
A cross-legged meditative pose, a solemn, neutral expression, simple draped robes, and a bronze alloy with high silver and tin content that gives a bright, silvery finish.
Bronze is the material most associated with this period, cast using a technique that produced thin, lightweight statues.
Pyu statues favor a plain, solemn aesthetic, while later Bagan and Ava statues developed more elaborate ornamentation and softer, more expressive faces.